(no subject)
Jan. 18th, 2014 05:19 pmThe Friday Society by Ariednee Kress
***
I really, really wanted to like this book. It was recommended to me by one of my favorite people, had a stunning cover, and steampunk in London with three girls solving a murder mystery. What could be better?
There is, unfortunately, an answer to that question, but I am determined not to be too harsh. This is the internet, and authors are real people, and one day I may be one of them. No one can please everyone, and if I were twelve, or maybe even fifteen years old, this would be the book for me. There is a certain talent that some young adult authors have of writing in a way where their work can be enjoyed by people of any age. Patricia Wrede, Diana Wynn Jones, and Sherwood Smith immediately spring to mind. This is not an easy task, and these authors excel at it. There is nothing wrong with writing specifically for an age group, or with tailoring your words and work and style to be something easily understood by that particular audience.
However, when a reader has had exposure to say, Jim Butcher's excellent descriptions of explosions, the opening lines:
There was an explosion. It was very explosion-y.
leave something to be desired. That, in essence, was my problem with The Friday Society -- I'm too old, I've seen too much, and could call practically every single plot twist. The one thing I did not see coming was the Big Villain Reveal, and I enjoyed that very much, and would have enjoyed exploring it further. In the obvious set-up for a sequel, it would have been nice for this particular nemesis to be kicking about.
Kress' style does have a certain flair, however much it may have felt to me like she was checking off a plot list, the characters were well-rounded and, in a fantastic sense, believable. The girls were true to their motivations and their world, and I quite liked that they did not join up officially until the end. There were a couple of aspects in their relationship that I found a hard time buying into, but it improved as the plot thickened.
I will say that one thing Kress did which was quite brilliant was tie in the 'There was an explosion' line at the beginning of each character introduction. That made me smile.
And the next time I meet someone in the 12-15 range who is looking for an amusing afternoon of reading, I will be sure to point them this way.
***
I really, really wanted to like this book. It was recommended to me by one of my favorite people, had a stunning cover, and steampunk in London with three girls solving a murder mystery. What could be better?
There is, unfortunately, an answer to that question, but I am determined not to be too harsh. This is the internet, and authors are real people, and one day I may be one of them. No one can please everyone, and if I were twelve, or maybe even fifteen years old, this would be the book for me. There is a certain talent that some young adult authors have of writing in a way where their work can be enjoyed by people of any age. Patricia Wrede, Diana Wynn Jones, and Sherwood Smith immediately spring to mind. This is not an easy task, and these authors excel at it. There is nothing wrong with writing specifically for an age group, or with tailoring your words and work and style to be something easily understood by that particular audience.
However, when a reader has had exposure to say, Jim Butcher's excellent descriptions of explosions, the opening lines:
There was an explosion. It was very explosion-y.
leave something to be desired. That, in essence, was my problem with The Friday Society -- I'm too old, I've seen too much, and could call practically every single plot twist. The one thing I did not see coming was the Big Villain Reveal, and I enjoyed that very much, and would have enjoyed exploring it further. In the obvious set-up for a sequel, it would have been nice for this particular nemesis to be kicking about.
Kress' style does have a certain flair, however much it may have felt to me like she was checking off a plot list, the characters were well-rounded and, in a fantastic sense, believable. The girls were true to their motivations and their world, and I quite liked that they did not join up officially until the end. There were a couple of aspects in their relationship that I found a hard time buying into, but it improved as the plot thickened.
I will say that one thing Kress did which was quite brilliant was tie in the 'There was an explosion' line at the beginning of each character introduction. That made me smile.
And the next time I meet someone in the 12-15 range who is looking for an amusing afternoon of reading, I will be sure to point them this way.